Born in Leninakan, Armenia in 1938, Artavazd Ashoti Peleshian is an influential director of poetic film-essays. His films utilize a cinematic method developed by Peleshian called “distance montage” to capture everyday life in a manner which transcends documentary. Sergei Parajanov has called him “one of the few authentic geniuses in the world of cinema.”
“Eisenstein’s montage was linear, like a chain. Distance montage creates a magnetic field around the film… Sometimes I don’t call my method "montage”. I’m involved in a process of creating unity. In a sense I’ve eliminated montage: by creating the film through montage, I have destroyed montage. In the totality, in the wholeness of one of my films, there is no montage, no collision, so as a result montage has been destroyed. In Eisenstein every element means something. For me the individual fragments don’t mean anything anymore. Only the whole film has the meaning.“ —Peleshian
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