Book of Judges: Larry David and the War on the War on Comedy

The war of all against all against nothing

Sweet Talk: A Conversation with Thuraya Al-Basqsami and Monira Al Qadiri

I feel like there’s a forest inside me, full of vegetation. Like a bowl of tabbouleh.

Louvre Me Tender

Soft power plays

Bidoun Mix 3: Ghazal

Mix Suedi

The Video People

1990s VHS Tehran Cinephiliacs

Bidoun Mix 2: Deena Abdelwahed

FutureArab/ClubSounds

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part II

Precluding the indifferent, eradicating void and uninspiring vastness of, for instance, sunsets.

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part I

I hope these words make you cry.

Mary Boone is Egyptian

“I find the whole notion of celebrity embarrassing.”

Ghariba

Love and romance, dating and friendship, loneliness and community, all set against the terror of aging.

Bidoun Mix 1

Post-(((Persian))) Happy Softcore

The Pasha Resurrects: What ‘Isa Ibn Hisham Told Us

Sometime in the late 1890s, a struggling writer named ‘Isa took a walk in the City of the Dead.

The Delicacy of Radicalism

Squander.

In all cases, it was a beautiful film to make

Amr Ezzat has always had vivid dreams.

Youssef Rakha

The writer Youssef Rakha is the only child of a former Marxist lawyer and a translator.

Salima Ikram

I mean, if all else fails, I’ll always have butchery. Or I guess I could work in a funeral home.

Laila Soueif

For decades, Laila Soueif has been a familiar sight at protests across Cairo.

William Wells

Down at the end of Nabrawy and Hussein El Me’mar Pasha streets, just minutes from Tahrir Square, lies one of those improbable Cairo junctions that seem to suggest an entire world.

News

Bidoun Presents Nicky Nodjoumi at The Third Line

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We are pleased to announce Fractures, Nicky Nodjoumi’s first solo exhibition at The Third Line gallery in Dubai, curated by Media Farzin for Bidoun.

Nicky Nodjoumi’s paintings explore the emotional dynamics of contemporary politics. The brushwork is quick, loose, and expressive, although the compositions are carefully worked out well in advance. His protagonists are often men in suits — the uniform of authority — painted against spare backgrounds.

His recent work focuses on breaks, ruptures, and the layering of objects and bodies. He uses found photographs to create collages that repeat the same image with small shifts in scale. A selection of his working sketches and collages, drawn from his personal archive, is also on view. In the final work, bodies are crisscrossed by sometimes violent slicing and fractures — vivid traces of a social reality that has caught up with them.

May 12 – July 31, 2018
The Third Line
Dubai

Rania Stephan’s The Three Disappearances of Souad Hosni

She played every type imaginable — innocent village girl, sexy secretary, floozy, tart, go-go girl, earnest revolutionary, aging nightmare, and more.

Transmissions

Recording and collaging radio broadcasts became an inseparable part of traveling. A similar impulse led me to create books.

Tarek Zaki’s Monument X

You’ve seen monuments like this before.

Tropical Baroque: A rough and partial history of popular furniture

When journalist Paul William Roberts interviewed Saddam Hussein in his Baghdad office back in the mid 90s, he went out of his way to comment on the furniture.

Sonallah Ibrahim: Odd man out

“Good writers still exist, but their political stands are vague.”