The Night Journey of Ahmed Bouanani

In the stillness of the house at Aït Oumghar there are ghosts of cats.

Book of Judges: Larry David and the War on the War on Comedy

The war of all against all against nothing

Sweet Talk: A Conversation with Thuraya Al-Basqsami and Monira Al Qadiri

I feel like there’s a forest inside me, full of vegetation. Like a bowl of tabbouleh.

Louvre Me Tender

Soft power plays

Bidoun Mix 3: Ghazal

Mix Suedi

The Video People

1990s VHS Tehran Cinephiliacs

Bidoun Mix 2: Deena Abdelwahed

FutureArab/ClubSounds

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part II

Precluding the indifferent, eradicating void and uninspiring vastness of, for instance, sunsets.

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part I

I hope these words make you cry.

Mary Boone is Egyptian

“I find the whole notion of celebrity embarrassing.”

Ghariba

Love and romance, dating and friendship, loneliness and community, all set against the terror of aging.

Bidoun Mix 1

Post-(((Persian))) Happy Softcore

News

Reza Abdoh: Radical Visions

Reza Abdoh: Radical Visions
Screening series at The Museum of Modern Art
July 14–23, 2018

A polymath and self-described member of “a TV generation,” pioneering Iranian-American theater artist Reza Abdoh voraciously incorporated varied references to music videos, variety shows, film, dance, classical texts, BDSM, and more into his work, with equal parts poetry and rigor. Moving images played an essential role in the artist’s large-scale, interdisciplinary productions beginning in the mid-1980s. In his final working years he also turned to the cinematic form; his second feature remained unfinished at the time of his 1995 death from AIDS-related complications. In conjunction with the retrospective Reza Abdoh, currently on view at MoMA PS1, this series offers insight into the artist’s profound creative energy—films he directed and videos created collaboratively for productions—along with a recent documentary.

Across disciplines, Abdoh confronted themes of transgression, violence, and abjection to speak to social and political upheaval and marginalization in America and around the world—with a demanding yet transcendent effect on cast members, audiences, and future scholars and followers of his work. While his media output was largely envisioned in the context of theatrical mise en scène, experiencing Abdoh onscreen is vital to the rediscovery of this essential creator, whose urgent anger, clarity of vision, and unique voice resonate two decades on.

Organized by Sophie Cavoulacos, Assistant Curator, Department of Film; with Negar Azimi, Tiffany Malakooti, and Babak Radboy, Bidoun; and Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art

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Saturday, July 14, 6:00
The Blind Owl
Introduced by Tony Torn
Repeats Thursday, July 19

Sunday, July 15, 1:30
Reza Abdoh-Theatre Visionary
Introduced by Adam Soch and Sandy Cleary

Sunday, July 15, 4:00
https://www.moma.org/calendar/events/4584
Introduced by Adam Soch
Repeats Sunday, July 22

Wednesday, July 18, 7:30
Peep Show Videos
Reading by Tom Fitzpatrick
Repeats Saturday, July 21

No More Revolutions: Mohamed Hamdy Mustafa

The artist Ayman Ramadan listens to Mohamed Hamdy Mustafa, a seller of spare car parts.

For The Poet Has A Butcher’s Face and The Butcher A Poet’s

Alvaro Perdices: ‘Zabana Inshallah’: proposal for an inherited culture

In 2009, Los Angeles-based artist Álvaro Perdices traveled to Oran, Algeria, with a friend working on the restoration and preservation of cultural artifacts at the Musée National Zabana.

Iran Inside Out

The story began, as good art narratives so often do, with a toilet in a museum.

Condoleezza Rice’s Ice Skates

For all her storied achievements, there is a sense that what Condi Rice became was a well-heeled warning to prodigies everywhere.