Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part II

Precluding the indifferent, eradicating void and uninspiring vastness of, for instance, sunsets.

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part I

I hope these words make you cry.

Mary Boone is Egyptian

“I find the whole notion of celebrity embarrassing.”

Ghariba

Love and romance, dating and friendship, loneliness and community, all set against the terror of aging.

Bidoun Mix 1

Post-(((Persian))) Happy Softcore

News

REZA ABDOH: THEATRE VISIONARY Documentary Screening in Los Angeles

Reza Abdoh (1963-1995) was a renown Iranian-American director and playwright known for his large-scale, experimental theatre productions. When he died of AIDS in 1995 at the age of 32, he was already one of the most compelling figures in American theater. Plays like Bogeyman, Quotations from a Ruined City, and Tight White Right were known for their hallucinatory dreamscapes, ferocious energy, and sheer sensory overload. Abdoh’s aesthetic language borrowed from BDSM, raves, talk shows, and the history of avant-garde theater. Twenty years after his passing, his company members, collaborators, friends, and family have come together to create a filmic tribute to his theatrical genius.

Directed by Abdoh’s long-time friend and collaborator, filmmaker Adam Soch, this feature-length documentary incorporates rare live performance footage and interviews, providing unprecedented insights into Abdoh’s life and his idiosyncratic creative process. Join the filmmaker and original members of Abdoh’s company, Dar A Luz, for a discussion preceding the screening.

Click here to read an interview with Abdoh’s brother, Salar, from Bidoun #27.

Wednesday, April 12, 7PM
356 Mission Road
Los Angeles, CA 90033
Free

Letter to the Editors

Dear guys, You asked me about football?

Terms Falling: Between artist, curator, and entrepreneur

Does a curatorial démarche deserve its own rubric, or even need to be identified in the first place?

Redolent Delusions: Nasir al-Din Shah and the art of indifference

“In the spring of the year 18-, the Shah-in-Shah, the great exalted and holy monarch, the absolute ruler and overlord of all the lands of Persia, began to feel a sense of malaise of a kind he had never experienced before”…

Group Tuesday: Doubting images

They call attention to a particular practice — the circulation of texts as an artistic strategy — that has been operative in Beirut for years but has always been overshadowed by video work.

Collapsing Foundations: Death and the architect

As he quietly died one night, shutting down his body organ by organ, he dissolved the foundations of the buildings he had spent his life erecting.