Mary Boone is Egyptian

“I don’t know. Didn’t all immigrants come over here because they thought they would have a better life?”


Love and romance, dating and friendship, loneliness and community, all set against the terror of aging.

Bidoun Mix 1

Post-(((Persian))) Happy Softcore


REZA ABDOH: THEATRE VISIONARY Documentary Screening in Los Angeles

Reza Abdoh (1963-1995) was a renown Iranian-American director and playwright known for his large-scale, experimental theatre productions. When he died of AIDS in 1995 at the age of 32, he was already one of the most compelling figures in American theater. Plays like Bogeyman, Quotations from a Ruined City, and Tight White Right were known for their hallucinatory dreamscapes, ferocious energy, and sheer sensory overload. Abdoh’s aesthetic language borrowed from BDSM, raves, talk shows, and the history of avant-garde theater. Twenty years after his passing, his company members, collaborators, friends, and family have come together to create a filmic tribute to his theatrical genius.

Directed by Abdoh’s long-time friend and collaborator, filmmaker Adam Soch, this feature-length documentary incorporates rare live performance footage and interviews, providing unprecedented insights into Abdoh’s life and his idiosyncratic creative process. Join the filmmaker and original members of Abdoh’s company, Dar A Luz, for a discussion preceding the screening.

Click here to read an interview with Abdoh’s brother, Salar, from Bidoun #27.

Wednesday, April 12, 7PM
356 Mission Road
Los Angeles, CA 90033

The Muse of Failure: Egypt and the grandest narrative

Son’allah Ibrahim is Egypt’s reigning bard of failure. His stories are comedic without being cheerful, just as the masturbation he inevitably depicts is pleasurable without being fulfilling.

Ghida Fakhry: Anchor-woman

For several years after 9/11, Al Jazeera was taboo in the US.

Rania Stephan’s The Three Disappearances of Souad Hosni

She played every type imaginable — innocent village girl, sexy secretary, floozy, tart, go-go girl, earnest revolutionary, aging nightmare, and more.

On Edward Said: The Stupidest Word: Christopher Hitchens reflects on his friend and foe

Right. Well, I should first say that I think that the word “icon” is the stupidest word in our current discourse, and it would be no one poorer if we gave it up.

Joana Hadjithomas and Khalil Joreige on ‘A Perfect Day’

Filmmakers Joana Hadjithomas and Khalil Joreige’s second feature, the ironically titled A Perfect Day, won the FIPRESCI International Critic’s Prize on its premiere at Locarno Film Fes-tival, and has since played at festivals in Europe, Asia and North America to great acclaim and further awards.