Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part I

I hope these words make you cry.

Mary Boone is Egyptian

“I find the whole notion of celebrity embarrassing.”


Love and romance, dating and friendship, loneliness and community, all set against the terror of aging.

Bidoun Mix 1

Post-(((Persian))) Happy Softcore


REZA ABDOH: THEATRE VISIONARY Documentary Screening in Los Angeles

Reza Abdoh (1963-1995) was a renown Iranian-American director and playwright known for his large-scale, experimental theatre productions. When he died of AIDS in 1995 at the age of 32, he was already one of the most compelling figures in American theater. Plays like Bogeyman, Quotations from a Ruined City, and Tight White Right were known for their hallucinatory dreamscapes, ferocious energy, and sheer sensory overload. Abdoh’s aesthetic language borrowed from BDSM, raves, talk shows, and the history of avant-garde theater. Twenty years after his passing, his company members, collaborators, friends, and family have come together to create a filmic tribute to his theatrical genius.

Directed by Abdoh’s long-time friend and collaborator, filmmaker Adam Soch, this feature-length documentary incorporates rare live performance footage and interviews, providing unprecedented insights into Abdoh’s life and his idiosyncratic creative process. Join the filmmaker and original members of Abdoh’s company, Dar A Luz, for a discussion preceding the screening.

Click here to read an interview with Abdoh’s brother, Salar, from Bidoun #27.

Wednesday, April 12, 7PM
356 Mission Road
Los Angeles, CA 90033


The world’s only superpower is public opinion.

How’s Business: George Russell: Zoroastrian cemetery owner/operator, Huntsville, Texas

George Russell lives in Huntsville, Texas, otherwise known as the “City of Death,” the execution capital of the US.

The Adventures of Superadobe: Nader Khalili: Visionary Architect Founder, California Institute of Earth Art and Architecture

Nader Khalili’s thirty-year quest for an architecture that could house the world’s poor culminated in an idea he called Superadobe.

The Colonel

In 2006, I was asked to address an audience in Tehran on the novels of Orhan Pamuk.

Artists’ Magazines

By the end of the 1960s, Artforum had become the country’s dominant art magazine — part Sears Roebuck catalog for the McLuhan generation, part promotional vehicle for a clutch of New York abstract painters and the formalist critics who favored them.